Sunday, April 10th, 2011 | 10 Comments
Even The Giants
The bleak expanse of the Arctic can get lonely, so it helps to have company – even if it comes in monstrous forms.
Jesse Jacobs’ new book Even The Giants is a story of solitude, wonder, and turbulence, as it follows the adventures of an Arctic giant couple crossing paths with the motley inhabitants of their polar neck of the woods.
Written and drawn by the supernaturally talented Canadian artist Jesse Jacobs, Even The Giants is beautifully minimal in its silent story-telling and its monochrome blue artwork. As the main story is inter-cut by episodes from his trippy existential comic One Million Mouths, Jesse Jacobs balances sharp humor with meditative mood.
Published by AdHouse books, and debuting this May at the Toronto Comic Arts Festival, Even The Giants is one not to miss.

Check out our previous interview with Jesse Jacobs.

Even The Giants brings together a generally wild and diverse cast of characters: Inuit hunters, Arctic monsters, snow bunnies, a shipping container stowaway and a clan of bearded mariners. Can you tell us a bit about the characters and what inspired this story?
Jesse Jacobs: Everything in the book is fairly experimental. The process of creating Even the Giants was ultimately an attempt to figure out how to use comics in a way that I was comfortable with.
More than anything else the book is an exploration of isolation. The characters exist by themselves, in a vast landscape of the desolate arctic. Most of the short strips involve a singular voice reacting aggressively to some sort of trespass against them.
All of the characters are pretty insulated and unknowable; even the characters that cohabitate panels demonstrate a kind of solitude. That is why I drew one of the Giants in a lighter tone; I was attempting to illustrate a disconnect between the two characters. I think this theme unconsciously came out of my own experience of moving to a new city where I didn’t know anyone, and spending most of my time on a solitary activity.

All of the characters are pretty insulated and unknowable; even the characters that cohabitate panels demonstrate a kind of solitude.
– Jesse Jacobs
All of your books so far have had at least one surprisingly epic/tragic moment. We’re thinking of the climactic death of the circus ring-master in Small Victories and the ending of Blue Winter. Can you tell us (in your opinion) what makes a good story, and about your approach to narrative writing for comics?
Jesse Jacobs: When I was drawing this comic I was interested in tone and mood rather than creating a solid traditional narrative. I enjoy narratives, especially ones that require the reader to do a lot of the work, and have fun trying to write them, but this book wasn’t so much about that as it was an effort to create a kind of feeling.
Through that emerged a loose story, where I brought some of the characters together to arrive at some sort of resolution. I couldn’t help myself but to force a soul shattering tragedy upon the characters, it just seemed to work with the themes.
Your One Million Mouths comics are deftly interspersed between chapters of the Even The Giants. What, to you, are the parallels between these two very different comics that make them work so well together?
Jesse Jacobs: The short strips typically focus on a character’s reaction to some sort of grievance against them, and are charged with a lot of emotion, while the longer narrative attempts to achieve a quiet and desolate tone.
I attempted to weave the two styles together in a sort of contrast. I was aiming to have the two play off of one another in an effort to enhance the mood of each, resulting in the arctic scenes seeming even more muted and the voices of the short strips even louder and more emotional than they would be on their own.

Your previous books Small Victories and Blue Winter, Shapes in the Snow were self published making Even The Giants your first book to see general release (published by AdHouse Books). Did you approach the writing of this book differently knowing it would reach a wider audience?
Jesse Jacobs: I didn’t realize the book would be professionally published until after it was finished. I intended to self publish it. I approached Ethan Rilly, who drew the book Pope Hats, about applying for a Xeric grant (as he was awarded one a few years ago).
After he read the book he was kind enough to send it to Chris Pitzer (of AdHouse Books) who offered to put it out. I love self-publishing and will definitely continue to make little minis but getting published is a huge leap forward for me. Not having to worry about production costs or distribution is very helpful.

Jesse Jacobs’ studio.
Finish this sentence: Even the Giants…
Jesse Jacobs: ….get the blues.
Preparatory sketches for Even The Giants.
Anything else we can look forward to from you?
Jesse Jacobs: I feel that I’ve learned a lot from drawing Even the Giants and am really excited about my next comic. It’s starting to come together now and will be released in December 2011.
I’ve also got some new screen-prints that I’ll be bringing to TCAF in May. Also I’ve a new line of skateboards coming out very soon with Homegrown.

Electrical Oscillation (Two-colour screen print. Edition of 20 )

Jesse Jacobs T-shirts from Homegrown Skatebords

Even The Giants print
S&TM: We want to thank Jesse Jacobs and AdHouse Books for all their help and for taking the time to do this interview!
All images © 2011 Jesse Jacobs.





























Coming Soon: Even the Giants by Jesse Jacobs debuts in May | THE JOE SHUSTER AWARDS
April 11, 2011 @ 9:04 am
[...] Squidface and the Meddler take a look at Jesse Jacobs upcoming work, Even the Giants and interview Jesse about the book, which debuts from Adhouse Books in a few weeks. The books will premiere at TCAF. [...]
Michelle Kondrich
April 11, 2011 @ 11:04 am
This work is absolutely beautiful. I was unfamiliar with Jesse Jacobs, so thank you for the interview!
Squidface & The Meddler
April 16, 2011 @ 11:04 am
Hi Michelle,
Glad you enjoyed it! This interview was specifically about his upcoming book, but if you’re interested, we did do an interview with Jesse last year covering some of his previous work: http://archive.squidfaceandthemeddler.com/interviews/jesse-jacobs
Cheers!
S&TM
Chelsey Scheffe
April 14, 2011 @ 5:04 pm
Fantastic quality of line work + whimsy.
Tito
April 15, 2011 @ 4:04 pm
This stuff is pretty awesome, I was wondering is the Giant based on any kind of mythological figure or is it a figure of your imagination.
Jesse J
April 17, 2011 @ 6:04 pm
Thanks Tito.
These giants are made up.
Thales
April 23, 2011 @ 12:04 pm
The spread with the tels and the teddy bears from the cargo box, is pretty much awesome. For me it just sums up the feeling of solitude. Makes you wonder, all that stuff is really necessary for us?
Adam Vaudin
April 23, 2011 @ 2:04 pm
this book looks awesome !
Nick
May 2, 2011 @ 9:05 pm
Fantastic stuff. Jesse, your sense of color and linework is wonderful.
To the guys at SF&M, you run a brilliant site. Your interviews are intelligent and probing and I can tell you love comics. The site design and the type are also excellent. Keep it up.
Squidface & The Meddler
May 9, 2011 @ 10:05 pm
Hey Nick!
Really glad you like our site – thanks so much! We’re huge fans of Jesse Jacobs. He has work in the new anthology “Root Rot” (just came out). Check it out: http://onemillionmouths.blogspot.com/2011/04/wake-it-take-it.html
Thanks again for reading and for your kind comment!
Mike & Jes.